(Get on the bus, indeed where are Road to Stardom judges Teena Marie and Dallas Austin when you need them?) Like on Southern Hummingbird, slow tempos and spare arrangements dominate, but restlessness is bound to set in during the latter half. Elliott's berserk (not Bazerk) squawks vandalize return single "Turn da Lights Off," a Kwamé co-production touched by old-school elegance and vinyl crackle à la Monica's "So Gone" - another moment when Elliott should've been blocked from the vocal booth. If It's Me Again had a couple more up-tempo tracks and fewer scene jackings from Missy Elliott, it would have no trouble matching the greatness of 2002's Southern Hummingbird.
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